Below are example prompts and responses I used, along with a junior writer prompt, for Claude to write the first three sections of Chapter 5 of Nadene's Journey.

Prompt:

Claude, let's work on the chapter of the book that focuses on Nadene's participation in community theater in Guymon from approximately 1975 to 1989. Here are the beats I'm considering. Please review the project material and recommend any additional beats that we should consider adding to this section.

  • Nadene's extracurricular activities during her professional career (1975 - 1989) include the detailed stories she tells of her time in community theatre.

  • Talk about how Nadene balances professional responsibilities with personal interests.

  • Explain how Nadene enjoyed playing other roles.

  • Use question 266 to help share what inspired Nadene to get involved in community theater.

  • Remind the reader of Nadene's theater experience in the community at Elmwood.

  • Remind the reader of Nadene's experience during college.

  • Tell Nadene's story of how she became connected to the Guymon community theater and became a founding member.

  • Talk about each play and the notable roles in plays.

  • Tell Nadene's story about winning the Best Actress of the Year.

  • Tell about Question 267. What Nadene found most rewarding.

  • Reflections on the impact of theater on personal and professional life.

  • Specific plays: Questions 268 - 292

LLM AI prompt for chapter beats

image of generic AI Prompt asking, "How can I help you today?"
image of generic AI Prompt asking, "How can I help you today?"
Final Edited Version:

Ladies and gentlemen, esteemed readers! We’re turning the pages back to explore Nadene’s passion for the stage.

It was important to me. I enjoyed it. It gave me some relief from the seriousness of the work I did in school, and it gave me a fun thing with plenty of interaction with other people.

In this chapter, the narrative will be infused with a pinch of dramatic flair, with prose occasionally taking on a theatrical character. Settle in. With all the nostalgia and spirited fun of a community theater production, we present the second act of Nadene’s “Guymon Years.”

Setting the Stage

The house lights dim, the curtain rises, and we find Nadene, a dedicated educator by day, harboring a desire for more. What could draw this composed professional into the whirlwind world of community theater?

Oh, I always liked theater. I liked being in the plays in high school.

As we rewind the reel of her life, we glimpse her first steps onto the stage in Elwood. Picture a young Nadene as part of a charming literary society production at the schoolhouse across the street from their dairy farm. The scene then shifts to high school, where she stars in Betty Jane From Punkin Lane, her first taste of leading-lady status.

The curtain rises on Nadene’s college years, where her theatrical talents are shown as the maid in a memorable production of The Campbells Are Coming—which proved there are no small parts, only small actors. And let’s not forget the sight of Nadene, graceful and petite, dancing an energetic jig with a burly football player:

When they played the music, we hooked elbows. One’s looking one way, and one’s looking the other, and they go around to the music.

These moments, dear audience, were the opening acts for Nadene’s starring roles with the Guymon Community Theatre beginning in 1979.

The Guymon Community Theatre garnered strong community support. Despite offering low ticket prices, it acquired the historic American Theater building on Main Street and is still thriving today.9

But how did Nadene find her way to this stage? It was who she knew. The art class teacher at Nadene’s School was Kristy Patterson and the husband of Michael the local high school speech and debate teacher.7 The young couple took teaching positions in the school, but their ambitions extended beyond the classroom.

“Their primary interest was theater.,” Nadene shared. As if guided by an unseen director, Nadene began supporting them and helped to lay the foundation for a vibrant part of Guymon’s cultural scene. Then, “they asked me to try out for a part in the play.”

And with those fateful lines, Nadene signed up as a founding member of the theater ready to embark on a decade-long journey of memorable performances.

Response:

After reviewing the project material, I recommend adding the following beats to the community theater section:

  • Describe the social aspect of community theater and how it helped Nadene form new friendships outside of her professional circle.

  • Highlight the challenge and satisfaction of memorizing lines, especially given Nadene's strong memory at the time.

  • Discuss how community theater provided an outlet for creativity and self-expression during a period of personal and professional changes in Nadene's life.

  • Explore how Nadene's experiences in community theater influenced her teaching methods or interactions with students, if applicable.

  • Describe the atmosphere and camaraderie of rehearsals and performances, including any memorable moments or anecdotes.

  • Mention any skills or confidence Nadene gained through theater that transferred to other areas of her life.

  • Discuss how community theater connected Nadene more deeply to the Guymon community and its culture.

  • Include a reflection on how theater allowed Nadene to explore different aspects of her personality through various roles.

  • Describe any challenges Nadene faced in balancing her theater commitments with her professional and family responsibilities.

  • Highlight any favorite or most memorable performances or roles, beyond just the one that won her the Best Actress award.

These additional beats should help create a more comprehensive and engaging narrative about Nadene's experiences in community theater during this period of her life.

Prompt:

Excellent Claude. For this chapter let's use the tone you describe: Warmly nostalgic with a touch of theatrical flair, blending factual narrative with the lively energy of a stage performance. The writing should convey Nadene's delight in her theatrical adventures, allowing readers to feel as if they're peeking behind the curtain of her on-stage experiences. While maintaining the integrity of a biographical account, the prose can occasionally 'take on a character' - much like Nadene did in her roles - to bring her theatrical journey to life.

Here are the beat's I would like to include for this chapter. Can you review these and modify the sequence to improve the flow of the story to match our tone for this chapter?

  1. Explain how Nadene enjoyed bringing the characters to life and how the characters were so different from who she was in real life.

  2. Use question 266 to share what inspired Nadene to get involved in community theater.

  3. Discuss how Nadene's theater involvement fit into the larger context of her life during this time period, including family dynamics and personal challenges.

  4. Remind the reader of Nadene's theater experience in the community at Elmwood

  5. Remind the reader of Nadene's experience during college

  6. Tell Nadene's story of how she got connected to the Guymon community theater and how she was a founding member.

  7. Describe the social aspect of community theater and how it helped Nadene form new friendships outside of her professional circle.

  8. Share Nadene's stories of how she prepared for a role.

  9. Highlight the challenge and satisfaction of memorizing lines, especially given Nadene's strong memory at the time.

  10. Talk about each play and the notable roles in plays Question 268 - 292.

  11. Tell Nadene's story about winning the best actress of the year

  12. Tell about Question 267 what Nadene found most rewarding

  13. Reflections on the impact of theater on personal and professional life.

Response:

After reviewing the beats, I suggest the following sequence to improve the flow of the story and match our chosen tone:

  1. Use question 266 to share what inspired Nadene to get involved in community theater.

  2. Remind the reader of Nadene's theater experience in the community at Elmwood and her experience during college.

  3. Tell Nadene's story of how she got connected to the Guymon community theater and how she became a founding member.

  4. Explain how Nadene enjoyed bringing characters to life and how the characters were so different from who she was in real life.

  5. Describe the social aspect of community theater and how it helped Nadene form new friendships outside of her professional circle.

  6. Share Nadene's stories of how she prepared for a role.

  7. Highlight the challenge and satisfaction of memorizing lines, especially given Nadene's strong memory at the time.

  8. Talk about each play and the notable roles in plays (Question 268 - 292).

  9. Tell Nadene's story about winning the Best Actress of the Year award.

  10. Tell about what Nadene found most rewarding (Question 267).

  11. Discuss how Nadene's theater involvement fit into the larger context of her life during this time period, including family dynamics and personal challenges.

  12. Reflections on the impact of theater on personal and professional life.

This sequence allows us to start with Nadene's inspiration, build through her experiences, climax with her award-winning performance, and then reflect on the overall impact of theater in her life. It creates a natural narrative arc that aligns well with our chosen tone, allowing for moments of nostalgia, excitement, and reflection throughout the chapter.

Prompt:

Excellent, can you re-write these beats to provide guidance to match the tone we want to accomplish with this chapter?

Initial Output:

Thank you for the clarification. I'll revise beats 2 and 3 accordingly:

Ladies and gentlemen, esteemed readers! As we raise the curtain on this chapter of Nadene's life, we invite you to join us in a theatrical adventure. In honor of Nadene's love for the stage, we're adding a dash of dramatic flair to our narrative. So, sit back, relax, and enjoy as we bring you Nadene's story with all the warmth, nostalgia, and spirited fun of a community theater production. Don't be alarmed if the prose occasionally takes on a character of its own – we're simply allowing Nadene's theatrical journey to take center stage!

Setting the Stage

The houselights dim, the curtain rises, and we find ourselves in Guymon, Oklahoma, circa 1975. Enter Nadene, a dedicated educator by day, but with a secret longing for something more. What could possibly draw this composed professional into the whirlwind world of community theater?

"Oh, I always liked theater," Nadene confides, her eyes twinkling with the memory. "I liked being in the plays when I was in high school." But it wasn't just the lingering echoes of past performances that beckoned her. A new act was about to begin in Nadene's life, one that would allow her to step out of her everyday role and into a world of infinite possibilities.

As we rewind the reel of Nadene's life, we catch glimpses of her earlier forays into the spotlight. Picture a young Nadene in Elmwood, taking her first tentative steps onto the stage in a charming literary society production. The scene then shifts to her high school days, where we find her in the starring role of Betty Jane from Punkin Lane, her first taste of leading lady status.

But wait, there's more! The curtain rises on Nadene's college years, where her theatrical flair truly began to shine. In one memorable production, we find her playing the maid in "The Campbells Are Coming," proving that there are no small parts, only small actors. And who could forget the sight of our Nadene, arm-in-arm with a burly football player, performing an energetic jig in another college play? Picture it: Nadene, petite and graceful, paired with a gentle giant of the gridiron, twirling and laughing as they hocked elbows and danced across the stage. It was a performance that surely brought the house down!

These moments, dear audience, were the opening acts that set the stage for Nadene's later starring role in Guymon's community theater. With each performance, each line delivered, and each dance step, Nadene was rehearsing for the grand production that her life would become in the world of community theater.

But how did our protagonist find her way to this new stage? The scene shifts to Guymon, where we find Nadene forming a connection with a co-worker whose husband happened to be the local high school speech teacher. This dynamic duo had a vision: to bring community theater to Guymon. As if guided by an unseen director, Nadene found herself supporting their theatrical aspirations, helping to lay the foundation for what would become a vibrant part of Guymon's cultural scene.

"They asked me to try out for a part in the play," Nadene recalls, her voice tinged with the excitement of that pivotal moment. And just like that, with the delivery of those fateful lines, Nadene wasn't just a founding member of the Guymon community theater – she was hooked, ready to embark on a theatrical journey that would span years and countless memorable performances.

Response:

Certainly! Here's a revised version of the beats, incorporating guidance to match our desired tone:

  1. Set the stage: Open with a vivid, theatrical description of what drew Nadene to the world of community theater. Use question 266 as inspiration, but paint the scene as if the curtain is rising on this new chapter of her life.

  2. Flashback scene: Take the reader on a brief, nostalgic journey through Nadene's earlier theatrical experiences in Elmwood and college. Frame these as 'previews' to her later starring role in community theater.

  3. Behind the scenes: Dramatically recount how Nadene became a founding member of the Guymon community theater. Describe it as if she's stepping into the spotlight for the first time.

  4. Character study: Delve into how Nadene breathed life into her characters, contrasting them playfully with her off-stage persona. Use theatrical metaphors to describe this transformation.

  5. Ensemble cast: Portray the social aspect of community theater with warmth and camaraderie, as if introducing the reader to a lively cast of characters who became Nadene's new circle of friends.

  6. Rehearsal montage: Share Nadene's preparation rituals with the energy of a musical number, building up to the grand performance.

  7. The art of memorization: Frame Nadene's line memorization as a thrilling feat, adding a touch of suspense and triumph to this behind-the-scenes aspect.

  8. Playbill of performances: Present each play and role as if introducing acts in a variety show, highlighting the diversity of Nadene's theatrical repertoire.

  9. Standing ovation: Recount Nadene's Best Actress win with all the excitement and emotion of an awards ceremony.

  10. Curtain call: Reflect on what Nadene found most rewarding, framing it as the emotional heart of her theatrical journey.

  11. Life's stage: Weave Nadene's theater involvement into the broader tapestry of her life, balancing the spotlight of stage life with the everyday drama of family and personal challenges.

  12. Final bow: Close with reflections on how theater shaped Nadene's personal and professional life, as if the house lights are coming up on a transformative performance.

This approach should help maintain our warmly nostalgic tone with a theatrical flair throughout the chapter, bringing Nadene's experiences to life in a vibrant and engaging way..

Prompt:

Excellent Claude. I added a beat to the beginning to explain to the reader the plan so they are not confused by the change in style. Please write the narrative for beats 1-3.

  1. Explain to the reader how we will infuse the chapter with some of the lighthearted Playful, spirited fun in honor of Nadene theater days.

  2. Set the stage: Open with a vivid, theatrical description of what drew Nadene to the world of community theater. Use question 266 as inspiration, but paint the scene as if the curtain is rising on this new chapter of her life.

  3. Flashback scene: Take the reader on a brief, nostalgic journey through Nadene's earlier theatrical experiences in Elmwood and college. Frame these as 'previews' to her later starring role in community theater.

  4. Behind the scenes: Dramatically recount how Nadene became a founding member of the Guymon community theater. Describe it as if she's stepping into the spotlight for the first time.

  5. Character study: Delve into how Nadene breathed life into her characters, contrasting them playfully with her off-stage persona. Use theatrical metaphors to describe this transformation.

  6. Ensemble cast: Portray the social aspect of community theater with warmth and camaraderie, as if introducing the reader to a lively cast of characters who became Nadene's new circle of friends.

  7. Rehearsal montage: Share Nadene's preparation rituals with the energy of a musical number, building up to the grand performance.

  8. The art of memorization: Frame Nadene's line memorization as a thrilling feat, adding a touch of suspense and triumph to this behind-the-scenes aspect.

  9. Playbill of performances: Present each play and role as if introducing acts in a variety show, highlighting the diversity of Nadene's theatrical repertoire.

  10. Standing ovation: Recount Nadene's Best Actress win with all the excitement and emotion of an awards ceremony.

  11. Curtain call: Reflect on what Nadene found most rewarding, framing it as the emotional heart of her theatrical journey.

  12. Life's stage: Weave Nadene's theater involvement into the broader tapestry of her life, balancing the spotlight of stage life with the everyday drama of family and personal challenges.

  13. Final bow: Close with reflections on how theater shaped Nadene's personal and professional life, as if the house lights are coming up on a transformative performance.

For beat 2, be sure to change this from an unlikely alliance to a connection with a co-worker who's husband was the high school speech teacher and they wanted to start a community theater.

For beat 3 include mentioning Nadene's lean role staring in Betty Jane from Punkin Lane when she was in high school. Consider rewriting to add a mention of her roles in college as the maid in "The Campbells are Coming" or locking elbows with the large football player in another college play. Whichever or both will help tell the story and tone for this chapter best.